Kris Kolls
Feel it
There’s something about this new track from Kris Kolls that sneaks up on you. “Feel It” doesn’t shout for attention. It just sits in its own space, quietly intense, oddly soothing, and hard to pin down in the best kind of way.
It opens with a low pulse. A few seconds in, her voice cuts through, calm, a little raw, almost like she’s working something out as she sings. The track moves slowly at first, then builds, layer by layer. Nothing feels overproduced. The emotion is there, but it’s not dressed up.
It opens with a low pulse. A few seconds in, her voice cuts through, calm, a little raw, almost like she’s working something out as she sings. The track moves slowly at first, then builds, layer by layer. Nothing feels overproduced. The emotion is there, but it’s not dressed up.
Lyrically, “Feel It” feels more like a diary entry than a pop hook. It leans into that strange middle ground between strength and softness, control and collapse. The kind of thing you listen to when you’re not quite sure how you feel, or maybe when you know exactly how you feel, but can’t explain it.
It’s a small track, but it stays with you. You find yourself humming parts of it hours later. It doesn’t ask for much, just your attention, maybe a little honesty.
“Feel It” is streaming now, and it’s well worth a quiet listen.
It’s a small track, but it stays with you. You find yourself humming parts of it hours later. It doesn’t ask for much, just your attention, maybe a little honesty.
“Feel It” is streaming now, and it’s well worth a quiet listen.