THE ROSADOCS
UNVEIL NEW TRACK ‘IN THE STORM’ FOLLOWING EMOTIONAL FAREWELL LEADMILL HEADLINE SHOW AND SOLD-OUT TOUR DATES
Sheffield’s rising indie force The Rosadocs have released the full version of their hotly anticipated EP, featuring the brand-new and never-before-heard track “In the Storm”, now available across all major streaming platforms.
The five-track collection - named The City’s no good for reflection includes the previously released and critically praised “Cross to Bear”, “Hopeless Optimist”, “Bittersweet”, and “The Ladder”, culminating in the newly unveiled “In the Storm” – a powerful and poignant anthem of hope and emotional resilience.
Keelan Graney, guitarist and frontman said: “In the Storm is basically about how time just keeps moving, whether you're ready for it or not. As you get older, life throws more at you, and the track’s a way of looking at all that using some nods to Greek mythology - we wanted to tell a deeper story but still keep it relatable.
“The EP, The City’s No Good for Reflection, is about how the chaos of city life can slowly wear you down. The first track, ‘Bittersweet’, sets the tone - it’s where the title comes from. Overall, the message is that we’re stronger when we stick together. In a world that’s always rushing, it’s that connection with each other that keeps us grounded.”
The EP showcases the band’s emotional range, moving from anthemic festival-ready choruses to stripped-back, intimate moments of vulnerability. Self-produced and fiercely independent, the release confirms The Rosadocs’ status as one of the UK’s most exciting grassroots bands on the rise.
The release came off the back of a huge week on the road for the band, who sold out their London headline show at Camden Assembly on Friday 13 June, before returning to Sheffield for an emotionally charged, sold-out homecoming show at The Leadmill on Saturday 14 June – one of the venue’s final shows before its impending closure.
“Seeing the Leadmill go is devastating not only to Sheffield, but to the industry as a whole,” said keyboardist Myles Henderson. “Seeing bands in there as a youngster was the driving force behind me getting past the barrier and on to the stage myself. To be playing one of the final shows truly feels like a full circle moment for myself and the band. Though I wish it didn’t have to be the case, it’s a great honour to be included in the final chapter of an amazing story.”
With sold-out venues across the country, emotional scenes at home, and high-profile festival slots in the calendar, The Rosadocs are heading into a defining summer. Their EP is already drawing comparisons to early Courteeners and Catfish and the Bottlemen – with an extra layer of heart, honesty and ambition.
The band’s upward momentum is showing no signs of slowing, with key support from BBC Introducing, Radio X, and a devoted, fast-growing fanbase built through hard graft, standout songwriting and a magnetic live presence.
The Rosadocs are a five‑piece indie/alt‑rock band from Sheffield, formed in 2017 around frontman and rhythm guitarist Keelan Graney.
Known for their anthemic, high‑energy sound reminiscent of Arctic Monkeys, The Enemy, and The Killers, they’ve built an engaged following through festival sets and opening for established acts like The Sherlocks, Pigeon Detectives, and Bad Manners.
Their debut EP Two Wrongs Make a Riot (2020) further showcased their knack for catchy melodies and thoughtful production - complete with story‑driven music videos, such as “Say Something.”
They’ve made impressive strides on stage too: headlining venues like Sheffield’s Leadmill, playing packed sets at Sheffield City Hall Ballroom, and even earning an emotional crowd moment dedicating a song to the Sheffield Steelers community.
Combining hometown pride, memorable hooks, and unstoppable live energy, The Rosadocs are fast becoming one of Yorkshire’s most compelling indie exports.
The five-track collection - named The City’s no good for reflection includes the previously released and critically praised “Cross to Bear”, “Hopeless Optimist”, “Bittersweet”, and “The Ladder”, culminating in the newly unveiled “In the Storm” – a powerful and poignant anthem of hope and emotional resilience.
Keelan Graney, guitarist and frontman said: “In the Storm is basically about how time just keeps moving, whether you're ready for it or not. As you get older, life throws more at you, and the track’s a way of looking at all that using some nods to Greek mythology - we wanted to tell a deeper story but still keep it relatable.
“The EP, The City’s No Good for Reflection, is about how the chaos of city life can slowly wear you down. The first track, ‘Bittersweet’, sets the tone - it’s where the title comes from. Overall, the message is that we’re stronger when we stick together. In a world that’s always rushing, it’s that connection with each other that keeps us grounded.”
The EP showcases the band’s emotional range, moving from anthemic festival-ready choruses to stripped-back, intimate moments of vulnerability. Self-produced and fiercely independent, the release confirms The Rosadocs’ status as one of the UK’s most exciting grassroots bands on the rise.
The release came off the back of a huge week on the road for the band, who sold out their London headline show at Camden Assembly on Friday 13 June, before returning to Sheffield for an emotionally charged, sold-out homecoming show at The Leadmill on Saturday 14 June – one of the venue’s final shows before its impending closure.
“Seeing the Leadmill go is devastating not only to Sheffield, but to the industry as a whole,” said keyboardist Myles Henderson. “Seeing bands in there as a youngster was the driving force behind me getting past the barrier and on to the stage myself. To be playing one of the final shows truly feels like a full circle moment for myself and the band. Though I wish it didn’t have to be the case, it’s a great honour to be included in the final chapter of an amazing story.”
With sold-out venues across the country, emotional scenes at home, and high-profile festival slots in the calendar, The Rosadocs are heading into a defining summer. Their EP is already drawing comparisons to early Courteeners and Catfish and the Bottlemen – with an extra layer of heart, honesty and ambition.
The band’s upward momentum is showing no signs of slowing, with key support from BBC Introducing, Radio X, and a devoted, fast-growing fanbase built through hard graft, standout songwriting and a magnetic live presence.
The Rosadocs are a five‑piece indie/alt‑rock band from Sheffield, formed in 2017 around frontman and rhythm guitarist Keelan Graney.
Known for their anthemic, high‑energy sound reminiscent of Arctic Monkeys, The Enemy, and The Killers, they’ve built an engaged following through festival sets and opening for established acts like The Sherlocks, Pigeon Detectives, and Bad Manners.
Their debut EP Two Wrongs Make a Riot (2020) further showcased their knack for catchy melodies and thoughtful production - complete with story‑driven music videos, such as “Say Something.”
They’ve made impressive strides on stage too: headlining venues like Sheffield’s Leadmill, playing packed sets at Sheffield City Hall Ballroom, and even earning an emotional crowd moment dedicating a song to the Sheffield Steelers community.
Combining hometown pride, memorable hooks, and unstoppable live energy, The Rosadocs are fast becoming one of Yorkshire’s most compelling indie exports.
EP TRACKLIST:
SUMMER LIVE DATES:
26/07/25 - Tramlines Festival
27/07/25 - Together Again Festival
15/08/25 - Rock N Roll Circus Norwich
16/08/25 - Hardwick Festival
22/08/25 - Come Together Festival
23/08/25 - Victorious Festival
30/08/25 - Rock N Roll Circus Sheffield
- Bittersweet – 3:29
- Hopeless Optimist – 3:31
- Cross to Bear – 3:46
- The Ladder – 3:05
- In the Storm – [NEW]
SUMMER LIVE DATES:
26/07/25 - Tramlines Festival
27/07/25 - Together Again Festival
15/08/25 - Rock N Roll Circus Norwich
16/08/25 - Hardwick Festival
22/08/25 - Come Together Festival
23/08/25 - Victorious Festival
30/08/25 - Rock N Roll Circus Sheffield