After a long stretch of quiet, Stellar Ruins are back with a new single that gently reintroduces their sound, but with more weight, more space, and something even more personal. Serene Lullabies marks their return since 2022’s Marina Park, a track that unexpectedly found its way into 45 countries. No pressure, right?

WILD are back with a brand new single, and it’s one that hits with pure joy. Sitting On Top Of The World feels like the soundtrack to a victory lap, the kind you imagine playing after a long, hard road finally turns into a win.

Dutch artist Hugo Oak returns with Sold My Soul to the Devil, a gripping and soulful offering that marks a new chapter in his creative journey.
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New York-based electronic trio Occurrence return with a surprise release that sidesteps convention and dives straight into the heart of their most personal material to date. Titled Real Person, the band’s sixth full-length album arrives without fanfare, but with a quiet emotional gravity that makes its impact felt from the first note.
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Sometimes a band disappears for a while and comes back sounding more alive than ever. That’s exactly what happened with Elephant Run. Spread between São Paulo and Malmö, the band was separated by an ocean and a pandemic, unsure if they’d ever play together again. 
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It’s not every day a song feels like the start of a story you’ve already lived — and somehow Beers With The Beekeeper, the new single from The Zangwills, manages just that.
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There’s a lot of music out there trying to say something big. This one doesn’t. Jumping Around, the new instrumental single from Giazz, just feels good. That’s the whole point.
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​Out of Nicosia’s back rooms and into something louder, Leave The Wave emerge with Lose Control, a track that doesn’t ask for attention but takes it all the same. It’s raw, tense, and cracked open with emotion, the kind of song that doesn’t smooth over the edges because the edges are the point.

Julandjim’s Road to Monte Clerigo isn’t just a track, it’s a quiet breath, something that feels found rather than made. Released June 2nd, this instrumental piece carries the weight of something deeply personal. There are no fireworks here, just two guitars, a few takes, and a moment that stuck.
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Swedish duo JUNG have dropped what might be the summer’s most feel-good track with Tom Cruisin’. It’s bright, fast-paced, and unapologetically fun, the kind of song that fits just as easily blasting from car speakers as it does echoing across a packed club dancefloor. With its crisp production and feel-good energy, it captures that carefree mood that hits when the sun’s out, the windows are down, and there’s nowhere in particular to be.

Cruising is the kind of soft rock tune that feels like it’s been with you for years, familiar, warm, and quietly comforting. With lyrics written by Jimmy Granstrom and Dave Prine, it builds on a Swedish original by Lars Brundin called Du finns här, created with Herbert Tinz and Rebecka Molander. The message here is simple but powerful: getting through the hard stuff is a little easier when someone’s beside you.

EĐĐIE is back with a new track called Melatonin Medicine, and it’s one that definitely sticks. It’s the second single from his upcoming album Grieving Hour, and it leans into a funkier, more upbeat feel. There’s a tight groove running through it, and the bass really carries the track in a way that feels natural but still punchy.

The song plays like a therapy session that’s gone a little sideways,  a call where sleep becomes the answer to everything. There’s a playful tone to it, but underneath, it’s touching on the idea of feeling overwhelmed and wanting to check out, even just for a bit. It’s catchy, but there’s meaning buried in the rhythm.

Chaz has just released a new instrumental called Eikou no Tsuioku, which translates as Reminiscence of Glory, and it’s a track that really grows on you. It opens quietly, with a slow build that feels almost like you’re watching something come back to life. There’s a lot of emotion in the way it develops, and just when you think it’s going to stay mellow, it starts to shift.

Chaz has highlighted the key moments which come at 1:20, 2:00, 2:32, and again at 2:40, where the energy lifts and everything starts to hit harder. It’s not just about being loud though, Chaz knows how to shape a track so it feels like a story unfolding without needing any lyrics.

“Black Stockings” isn’t just a song, it’s a little celebration. A wink, a spark, and a reminder that passion doesn’t come with an expiry date. Aging Disgracefully have tapped into something real with this one. It’s playful, bluesy, and full of character. No polish, no pretending, just a groove that feels honest and alive.
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There’s a quiet kind of confidence running through New Land, the latest release from Sasha Joy. It doesn’t need to shout to be heard. Instead, it draws you in, layer by layer, like a story that unfolds at its own pace.
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